It starts with familiar scenes. Wood shacks and raggedy children, hard lives and poverty surrounded by mystic beauty. Fathers travel deep into the earth, searching for coal. Mothers stand with vacant eyes looking at the places in the walls that used to feature their husbands. And children become parents because poverty and sorrow have taken and molded them into adults, too young and too hard. It seems like a throwback, a picture of a time in history where coal mining was the hardest.
But this story is not from the past or the present. This is the beginning of The Hunger Games, a futuristic novel set in the US. The States have been divided and unified to form 13 Districts. Each has a focal job. District 12, where the film begins, is set in Appalachia, centrally, West Virginia.
The Hunger Games is a mix between two histories: the gladiatorial battles in Rome and the oppressed coal miners. As the trilogy continues, there is an uprising against the tyranny of “The Capital.” This is almost eerily similar to the stories of the coal wars. Through establishing a union and striking, change was able to take place. But to accomplish change came the deaths of many people and trust between the government and the people being destroyed.
The games themselves are done in gladiator styles. Children, essentially, kill other children in a game of survival and bloodlust. Throughout the film it is repeatedly mentioned that the games are a TV show and the purpose is to entertain and control the people. It provides both hope and fear, and within the movie, a powerful motif is offered: hope is more powerful than fear.
In the Hunger Games the past was pushed forward into a new future. And the history of the Appalachian people is not a dead history. It is alive and evolving and being retold through futuristic teen fiction. And the power and the drive that are ingrained through struggle were also shown. As Katniss’s eyes flashed, as she fought for her family, as she fought to win an impossible battle … in this we can see our own history. We can remember the fatherless children who were left with only stories of explosions and coal mining accidents. We can appreciate an ability to survive off what the land gives. We can be proud of who we are an who we can be. Suzanne Collins erected a memorial for the Appalachian people with her book. Now we have a new avenue to tell the stories of this people.









